The Painted Veil presents a story of redemption in such a captivating and gorgeous way that its scenes and characters all too easily take up residence in the mind, quietly, only to reassert themselves at odd intervals with a surprising insistence, causing a mood of reflection that while not unwelcome is nevertheless often distracting to whatever task is at hand.
It is a rich film, adapted from the novel of the same name by Somerset Maugham. (1) Like any great story, there could be any number of ways to approach it. One of the more obvious avenues is through place and travel. As Kitty, the main protagonist, moves from London to Shanghai and finally to a remote Chinese village, she is stripped of the social conventions and artifice through which she had previously related to the world, and is forced to negotiate a new and more authentic understanding of herself and her relations to others. (more…)